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The Door at the End of Notes from Underground and Why Dostoevsky Left It Open

Fyodor Dostoevsky’s Notes from Underground is one of the strangest books ever written. It barely has a plot.Its narrator contradicts himself constantly.Entire sections feel hostile...
Charis Tom - 0

The Three Sentences That Hold Never Let Me Go Together

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Why the Last Word of The Road Is the Word That Was There All Along

Cormac McCarthy’s The Road is filled with silence. The novel strips language down to its bare essentials, leaving readers in a world where almost...
Charis Tom - 0

The Cigarette in Brave New World: A Single Object Atwood Borrowed and What She Did With It

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The Door at the End of Notes from Underground and Why Dostoevsky Left It Open

Fyodor Dostoevsky’s Notes from Underground is one of the strangest books ever written. It barely has a plot.Its narrator contradicts himself constantly.Entire sections feel hostile...

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The Door at the End of Notes from Underground and Why Dostoevsky Left It Open

Fyodor Dostoevsky’s Notes from Underground is one of the strangest books ever written. It barely has a plot.Its narrator contradicts himself constantly.Entire sections feel hostile...

The Three Sentences That Hold Never Let Me Go Together

Kazuo Ishiguro’s Never Let Me Go does not reveal its emotional power all at once. The novel moves quietly. Conversations drift. Memories overlap. Important...

Why the Last Word of The Road Is the Word That Was There All Along

Cormac McCarthy’s The Road is filled with silence. The novel strips language down to its bare essentials, leaving readers in a world where almost...
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The Door at the End of Notes from Underground and Why Dostoevsky Left It Open

Charis Tom -
Fyodor Dostoevsky’s Notes from Underground is one of the strangest books ever written. It barely has a plot.Its narrator contradicts himself constantly.Entire sections feel hostile...

The Three Sentences That Hold Never Let Me Go Together

Charis Tom -
Kazuo Ishiguro’s Never Let Me Go does not reveal its emotional power all at once. The novel moves quietly. Conversations drift. Memories overlap. Important...

Why the Last Word of The Road Is the Word That Was There All Along

Charis Tom -
Cormac McCarthy’s The Road is filled with silence. The novel strips language down to its bare essentials, leaving readers in a world where almost...

The Cigarette in Brave New World: A Single Object Atwood Borrowed and What She Did With It

Charis Tom -
Some literary symbols are loud and impossible to miss. Others sit quietly in the background, appearing ordinary until you realize they carry the emotional...

What Offred Doesn’t Say: The Architecture of Silence in The Handmaid’s Tale

Charis Tom -
There is a particular kind of attention that Margaret Atwood's The Handmaid's Tale asks of its readers, and almost no readers are equipped to...

The Telescreen Is the Wrong Metaphor: What Orwell Actually Said About Being Watched

Charis Tom -
There is a near-universal cultural shorthand for surveillance, and it has been doing damage for several decades. The shorthand is the telescreen. The device in...